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Hall 2 - This is a warmer hall program with 77ms predelay, and adds depth and

character to acoustic instruments.

Hall 3 - The third program is a medium bright hall with no predelay, and can be

used on rock snares and percussions.

c. Plates

5.2 Modulations

a. Tremolo

b. Rooms

LFO

Input Output

This algorithm try to reproduce the sound of a medium size room. It has a more

dense and rich sound than the hall reverb algorithm, and this quality makes it

good for rock and "disco" music. The attack is well defined and "aggressive",

sounding very good on keyboards, guitars and drums.

Room 1- This program simulate a studio room with many "early reflection", and

works well with drum sounds and acoustic instruments.

Room 2- This program is a "bright" studio room and seems to be perfect for

adding a little ambience to a dry sound as the one achievable with a synth sound.

Room 3- The third room is the warmest one and is perfect for acoustic guitars

and classical instruments

This algorithm want to simulate the "sound" of a classic plate reverb, obtained

in the past using suspended sheet of metal with transducers at either end. This

kind of reverb, commonly used in the 1970's, it is still useful for its transparent

sound and it works well for vocals, piano, or guitar.

Plate 1- The first program is a classic bright vocal plate.

Plate 2- A warmer variation of the previous program, sounding very well on

acoustic guitar and strings.

Amplitude Multiplier

Modulated by Ramp/Sin LFO

Tremolo is an amplitude modulation of the signal. It is useful for adding warmth

and life to standing electric piano or guitar's chords.

Tremolo- This program provides an amplitude modulation of the input signal and

is normally used as "WET" effect without adding direct sound or adding a few

percentage of it, so to avoid the direct sound to cover the amplitude modulation.

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